Irish Paintings

Arnold Gardner

'BORGNY DOLPHIN OIL RIG AT HARLAND & WOLFF'

Michelle Carlin

'YOUNG GIRL WITH BALLOONS'

Con Campbell

'THE GYPSY COB'

Colin Flack

'COLOURED LANDSCAPE'

Martin Hasson

'COLLECTING SHELLS ON THE ANTRIM COAST'

Joseph William Carey RUA

'TOWARDS THE LONG BRIDGE BELFAST, FROM A PAINTING BY MARY PATTERSON 1810'

Sean Lorinyenko

'A COUPLE SITTING ON THE ROCKS AT DOWNINGS'

James Bingham

'UNLOADING THE CATCH'

Gladys Maccabe HRUA

'MOTHER & CHILD'

Paul Stephens

'EARLY MORNING SUNLIGHT, MISTY RIVER, IRELAND'

J.P. Rooney

'PRIVATE MOONRISE'

Tom McGoldrick

'A CHAT ON A ROAD NEAR SLEMISH'

John S. Haggan

'RAIN CLOUDS IN THE SPERRINS ABOVE COOKSTOWN COUNTY TYRONE'

Robert D. Beattie

'KNITTING FOR THE GRAND CHILDREN'

Christopher Duncan

'BY THE LOUGHSHORE, CONNEMARA'

T. Wilson

'OUT FISHING'

T. Wilson

'CASTLE RUINS BY THE LOUGH'

Maurice Canning Wilks ARHA RUA

'BELFAST DOCKS'

Henry J. Foy

'MWEELREA, COUNTY MAYO'

Evelina Vine

'WILD FLOWERS IN THE DUNES'

Michelle Carlin

'YOUNG BOY WITH SAILBOAT'

Hayley Huckson

'SUNSET REGATTA'

Eileen McKeown

'PORTSTEWART ORANGE BOAT'

Con Campbell

'CUCKOO'

Colin Flack

'RED FLOWERS IN A VASE'

Paul Wilson

'THE PRINCE'

Arnold Gardner

'OIL RIG AT HARLAND & WOLFF, BELFAST'

Constance Short

'JULIE'

Hilary Scoffield

'RIVER REFLECTIONS'

Francis Garcia

'A HORSE PORTRAIT'

Rowland Davidson

'LITTLE GIRL ON A PATCHWORK QUILT'

John Ormsby

'FISH & CHIPS'

Caroline McVeigh

'THE PURSUIT OF HAPPINESS'

David A. James

'RETURNING WITH THE CATCH'

Derek Richards

'MAN FROM WICKLOW'

'DRAWING FROM LIFE, THE LIFE OF IRISH ARTIST GLADYS MACCABE'

'MOURNE'

'THE WHOLE PLANET IS A GARDEN. THE GENIUS OF JOHN KINGERLEE'

'SIR JOHN LAVERY R.A.'

'THE PAINTERS OF IRELAND 1660 - 1920'

'A WORK OF ART, JOHN B VALLELY'

Hayley Huckson

'WILD POPPY VIEW'

Leo Toye

'AUTUMN WOODS'

'ROONEY, PAINTINGS & POEMS'

'JAMES HUMBERT CRAIG RHA, THE PEOPLES ARTIST'

'MARKEY ROBINSON, MAVERICK SPIRIT'

Patrick Murphy

'AWAITING THE CATCH, DONEGAL'

'ROONEY, AN IRISH PERSPECTIVE'